The book presents a lot of new ways of looking at how to draw from life and interpret it so it applies to an animator's work.
I've always been a very staunch advocate of drawing straight from the model. I never thought that using the model and interpreting him or her in a creative way could benefit my work. So I tried this method, in conjunction with drawing with my left hand (working with your non-dominant hand really loosens you up!) and I got some pretty interesting results!
My first sheet.... (I chose to work with 15& 17)
My second sheet (I chose to work with 31)
And my Stu Pose sheet! I've chosen the middle one to be evaluated....
I can't wait for feedback from my mentor. I really want to know if I'm missing something and how I can improve my basic posing skills.